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Hiroshige in Focus: Works Made with Prussian Blue
The deep hues of sky and water are essential to Hiroshige’s evocative landscapes.
Their beauty owed much to bero-ai (Prussian blue), a synthetic pigment imported from overseas. This clear, vivid blue, which also came to be known as “Hiroshige blue,” captivated both ordinary people in Edo and ukiyo-e enthusiasts abroad.
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