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Antony Gormley "RAPT"
Gormley brushed ink onto each sheet individually, producing bleeding washes with an opening at the center, as if light were radiating from within. Printed onto that opening are a figure leaning forward and a landform on which it stands. The printer gave himself entirely to the formidable task the artist had entrusted to him: placing the figure exactly where it belonged. Emerging from Gormley’s visit to the workshop in 2024, Rapt demonstrates what becomes possible when an artist’s original vision meets the highly refined skill of today’s master carvers and printers, pointing the way toward new frontiers in woodcut printmaking.
*In accordance with the studio’s standard practice, the artist’s hand-written signature, edition number, and studio reference number appear on the back of the work.
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| Size/Weight | Dimension of picture: 27.7 × 40.7 cm |
| Material | Paper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano |
| Feature | Type of print: Woodcut print |
| Notes | Limited edition: 80(Signed by the artist) / Year of publication: 2025 / Supervision: The Adachi Foundation for the Preservation of Woodcut Printing / Production: The Adachi Institute of Woodcut Prints |
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Adachi's Philosophy and Mission
At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques.
Adachi's Meticulous Quality and Materials
At Adachi Institute of Woodcut Prints, we use carefully selected materials and tools to bring out the original beauty of woodcut prints to the fullest.
Traditional Techniques and Adachi's Artisans
The production of ukiyo-e, which developed as a commercial printing method, focused on efficiency and profitability. And so, all processes are streamlined and sophisticated. We will introduce the basics of ukiyo-e techniques.
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