The Editor -Cutaway-
The Editor -Cutaway-
The Editor -Cutaway-
The Editor -Cutaway-
The Editor -Cutaway-
The Editor -Cutaway-
The Editor -Cutaway-

The Editor -Cutaway-

The Editor prunes away superfluous parts to leave what is essential. "Cutaway," the subtitle added to this work, shows the commonality between the work and the technique used in woodcut prints of cutting away unneeded parts from the woodblock and leaving only the essential lines. The Editor prunes the branches emerging from the planter on her lap. The eyes at the ends of the branches are eyes that see the truth -- a reference to a painting of Saint Lucy by Francesco Del Cossa. Within the planter are touchstones that can be used to test for gold. This is a portrait of the Editor who distinguishes what is absolutely essential in order to move closer to the truth.

James Jean was born in Taiwan and currently lives and works in Los Angeles. Renowned for his virtuosic ability to work across different genres with an imaginative and multifaceted approach to image making, he has held exhibitions of his fine art in New York, Los Angeles, London, Hong Kong and Tokyo. Jean fuses contemporary subjects with aesthetic techniques inspired by traditional Chinese scroll paintings, Japanese woodblock prints, and Renaissance portraiture. By experimenting with different styles and art-historical genres, Jean depicts detailed cosmological worlds that focus on both individual and universal experiences. Layered with imagery drawn from contemporary culture and age-old allegories, he imagines a collective realm of mythological proportions. After a groundbreaking collaboration with Prada for their fabled Spring/Summer 2008 collection, Jean returns for Prada's Resort and Spring/Summer 2018 collection. Jean also worked closely with Guillermo del Toro on the poster for the Oscar-winning film, The Shape of Water.

Price

Sale price¥80,000
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About Frame

Frame Size:560 × 440 mm/Weight: about 2.0kg/Material: Wood, UV Resistant Acrylic

About Frame

Frame Size:560 × 440 mm/Weight: about 2.0kg/Material: Wood, UV Resistant Acrylic

アダチ版画の想い

私たちアダチ版画研究所は、伝統的な木版技術の基本を守りながら、
時代にあった魅力ある作品を創造してまいります。

こだわりの品質・素材

アダチ版画研究所では、木版本来の美しさを最大限に引き出すために、厳選した素材と道具を使用しています。

伝統の技術・職人

商業印刷として発展した浮世絵の制作は、効率や採算性が重視されたことから、すべての工程において無駄がなく洗練されています。浮世絵の技術の基本をご紹介します。