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Since 2020, the Adachi Institute of Woodcut Prints has been producing woodcut prints in collaboration with Alex Dodge, an artist active in the Tokyo, Seoul and New York art scenes. His third woodcut print, Ozymandias, has now been completed and is available for purchase. To mark the completion of the three-part set, full sets are also being offered for sale.

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A BATHING APE®, one of Japan’s leading street fashion brands, has unveiled a special capsule collection, “BAPE® × UKIYO-E,” inspired by the ukiyo-e of Hokusai and Kuniyoshi.

For this new collection, ukiyo-e reproductions produced by Adachi Woodcut Prints have been featured.

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オンラインストア|浮世絵・木版画のアダチ版画研究所
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    • Ukiyo-e Reproduction
    • Contemporary Ukiyo-e
    • Frame・Book・DVD
    • See all products
      • Katsushika Hokusai
      • Utagawa Hiroshige
      • Kitagawa Utamaro
      • Toshusai Sharaku
      • Suzuki Harunobu
      • Torii Kiyonaga
      • Utagawa Kuniyoshi
      • Other Artists
      • "Thirty-six views of Mt. Fuji"
      • "Tour of Waterfalls in Various Province"
      • Masterpieces of Flowers and Birds by Hokusai
      • "Fifty-three stations of the Tokaido road"
      • "One Hundred Views of Famous Places in Edo"
      • Masterpieces of Flowers and Birds in Otanzaku Format by Hiroshige
      • "Renowned Beauties Likened to the Six Immortal Poets"
      • "Goldfish"
      • Landscapes
      • Flowers and Birds
      • Beauties
      • Actors
      • Lucky Charms
      • Red
      • Pink
      • Orange
      • Yellow
      • Green
      • Blue
      • Brown
      • Black
      • White
      • Spring
      • Summer
      • Autumn
      • Winter
      • New Year
  • Ukiyo-e for gifts
    • Adachi's story
    • Traditional Techniques and Adachi's Artisans
    • Adachi's Meticulous Quality and Materials
    • Showroom (TOKYO)
  • User Guide
  • Contact
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  2. Lee Ufan "Dialogue 1"
李禹煥「Dialogue 1」 Lee Ufan「Dialogue 1」
Lee Ufan "Dialogue 1"
Lee Ufan "Dialogue 1"

Lee Ufan "Dialogue 1"

Lee Ufan is an artist who led one of the most important movements in post-war Japanese art, Mono-ha (the “School of Things”). His activities are drawing renewed attention with the opening of the Lee Ufan Museum in Arles, France in the spring of 2022, and a large-scale retrospective exhibition held at the National Art Center, Tokyo in the summer of 2022 and presently in Kobe at Hyogo Prefectural Museum of Art.
From the early days of his career as an artist, Mr. Lee has repeatedly attempted to express himself using printing techniques. For him, printmaking is not just a technique of reproduction, but an important means of expression that visualizes the differences that arise in the passage of time and repetition. And now, together with artisans who have inherited traditional woodcut printing, the "Dialogue" series has been produced as woodcut prints.
We hope you will enjoy the new expression of woodcut printing, created through dialogue with materials such as wood and paper, and the relationships between creators.

Comments from the Artist
“I was astonished to hear that the printer, Ms. Kishi, had to print the colors nearly 20 times to bring out the colors in my work. But I see that the layers of color that are created through that process are gentle and subtle, but powerful. Perhaps you could say the visual image has a strong sense of presence. I think that is something that appears when you print over and over again with extremely thin and light tones. Being able to confirm this was an interesting experience for me as well.”

*The initial lottery sale for this work has ended.
Lee Ufan was born in Gyeongsangnam-do, Korea, in 1936. He attended Seoul National University before moving to Japan in 1956 and studied philosophy at Nihon University College of Humanities. Lee is widely known as a leading figure in “Mono-ha” (the “School of Things”). In 1969, his article "From Object to Being" was selected for the Bijutsu Shuppan-sha Art Criticism Award. Major solo exhibitions in recent years include the Yokohama Museum of Art (Japan, 2005), the Guggenheim Museum (US, 2011), the Palace of Versailles (France, 2014), and Center Pompidou Metz (France, 2019). In 2010, the Lee Ufan Museum designed by architect Tadao Ando opened in Naoshima, Kagawa Prefecture. His major publications include The Art of Encounter(1971) and The Art of Margins(2002).
Works by the same artist >>

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Sale price¥700,000
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Size/WeightDimension of picture: 67.0 × 57.0 cm
MaterialPaper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano
FeatureType of print: Woodcut print
NotesLimited edition: 120 / Year of publication: 2022 / Special bonus: booklet / Supervision: The Adachi Foundation for the Preservation of Woodcut Printing / Production: The Adachi Institute of Woodcut Prints
Works exhibited at the "UKIYO-E IN PLAY" exhibition (April 22 - June 15, 2025, Tokyo National Museum, Hyokeikan)
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Adachi's Philosophy and Mission

At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques.

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Adachi's Meticulous Quality and Materials

At Adachi Institute of Woodcut Prints, we use carefully selected materials and tools to bring out the original beauty of woodcut prints to the fullest.

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Traditional Techniques and Adachi's Artisans

The production of ukiyo-e, which developed as a commercial printing method, focused on efficiency and profitability. And so, all processes are streamlined and sophisticated. We will introduce the basics of ukiyo-e techniques.

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