歌川国芳「相馬の古内裏」アダチ版復刻浮世絵
In the Ruined Palace at SOMA
In the Ruined Palace at SOMA
In the Ruined Palace at SOMA

In the Ruined Palace at SOMA

As the broken bamboo blinds part, the face of an enormous skeleton emerges from the darkness. This unforgettable work has an enormous impact even at first glance and was based on a scene from the illustrated fiction by Sant? Ky?den entitled Ut? Yasukata Ch?gi-den. More than simply an illustration of a single scene, the work is suffused with a sense of tension and disquiet that finds an analogue in the reality of the turbulent final years of the shogunate through which Kuniyoshi lived.

Utagawa Kuniyoshi was a great master of the Japanese ukiyo-e style of woodblock prints and paintings in the late Edo period. Born in the Nihonbashi Honshirogane-cho area of Edo, Kuniyoshi's talents bloomed when he was still in his teens and he went to study under Utagawa Toyokuni I, a popular artist of the day. When Kuniyoshi was about 30 years old, he came into the limelight when he unveiled the series “One of the 108 Heroes of the Popular Water Margin (Tsuzoku Suikoden goketsu hyakuhachinin no hitori),” based on the Chinese tale “Water Margin.”

Price

Sale price¥60,000

Frame & Mat

A: Print only

The print is placed on the paper mat.

 

B: Framed print

The print is framed with the Adachi original ukiyo-e frame(500 × 925 mm).

 

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame(500 × 925 mm).

 
 

Frame & Mat

A: Print only

The print is placed on the paper mat.

 

B: Framed print

The print is framed with the Adachi original ukiyo-e frame(500 × 925 mm).

 

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame(500 × 925 mm).

 
 

Quantity:
Size/WeightPrint Size(triptych): 37.0 × 75.5 cm
MaterialPaper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano
FeatureType of print: Woodcut Print
NotesThis product includes:
・An explanation of the work in English and Japanese
・A leaflet to introduce the production process of ukiyo-e print
Ukiyo-e for Gifts

Our mission

At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques.

Careful quality and materials

At Adachi Institute of Woodcut Prints, we use carefully selected materials and tools to bring out the original beauty of woodcut prints to the fullest.

Making Process & Adachi's Artisans

The production of ukiyo-e, which developed as a commercial printing method, focused on efficiency and profitability. And so, all processes are streamlined and sophisticated. We will introduce the basics of ukiyo-e techniques through the production process of Katsushika Hokusai's masterpiece "The Great Wave off Kanagawa."