喜多川歌麿「歌撰恋之部 深く忍恋」アダチ版復刻浮世絵

Love Brooding -Selected Poems on the Theme of Love-

This young woman is probably the mistress of one of the tea-houses of the gay quarters at Shin Yoshiwara. Her hair is done up in a chignon, her teeth are dyed black (indicating that she is a married woman), but jer eyebrows are unshaved. There is an air of cool gracefulness in her expression and pose, and one can imagine that she feels that her love will never be discovered.

Utamaro stayed with the great publisher Tsutaya Juzaburo and made illustrations for kibyoshi and sharebon books. Influenced by Kitao Shigemasa and Torii Kiyonaga, he began to draw full-length portraits in the Tenmei era (1781-89). Later on, during 1790-91, Utamaro established his own style depicting three-quarter portraits of the beauties. His work became very popular because of his vivid new way of reproducing beauties, and his reputation as a master artist was established.

Price

Sale price¥18,000

Frame & Mat

A: Print only

The print is placed on the paper mat. The internal window of the top of the mat is cut for the image size.

<For Yourself> <For Gifts>
Print for yourself Print for gift

 

B: Framed print

<Ukiyo-e Reproduction> The print is framed with the Adachi original ukiyo-e frame (400 × 555 mm).
<Contemporary Ukiyo-e> The print is framed.

   

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame.

Print with mat

Frame & Mat

A: Print only

The print is placed on the paper mat. The internal window of the top of the mat is cut for the image size.

<For Yourself> <For Gifts>
Print for yourself Print for gift

 

B: Framed print

<Ukiyo-e Reproduction> The print is framed with the Adachi original ukiyo-e frame (400 × 555 mm).
<Contemporary Ukiyo-e> The print is framed.

   

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame.

Print with mat
Quantity:
Size/WeightPrint Size: 39.1 × 25.3 cm
MaterialPaper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano
FeatureType of print: Woodcut Print

浮世絵復刻版とは
江戸時代から続く高度な木版の技術で、現代の職人が、浮世絵の名作の版木を新たにおこし、和紙に一色ずつ摺り重ねて完成した木版画です。日本伝統の手技の美をお楽しみください。

浮世絵を贈る|アダチ版画のギフトサービス

Our mission

At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques.

Careful quality and materials

At Adachi Institute of Woodcut Prints, we use carefully selected materials and tools to bring out the original beauty of woodcut prints to the fullest.

Making Process & Adachi's Artisans

The production of ukiyo-e, which developed as a commercial printing method, focused on efficiency and profitability. And so, all processes are streamlined and sophisticated. We will introduce the basics of ukiyo-e techniques through the production process of Katsushika Hokusai's masterpiece "The Great Wave off Kanagawa."