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Ayako Rokkaku "Untitled 2"
Untitled 2 reflects Ayako Rokkaku’s signature method of painting with her fingers rather than brushes, with her rhythmic touch brilliantly expressed through the luminous colors unique to woodcut printing.
In the Edo period (1603-1868), when washi paper was produced in standard sizes, the triptych format was applied to ukiyo-e woodcuts to create large-scale compositions on three horizontally connected sheets. Rokkaku adopted this format, using the horizontally elongated pictorial space to produce a composition that flows from left to right, as if swept by the wind. A girl and a group of pink rabbits appear to race joyfully across a radiantly colorful meadow.
*The artist’s hand-written signature and edition number appear on the front of the work.
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| Size/Weight | Dimension of picture: 40.0×28.0 cm （triptych） |
| Material | Paper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano |
| Feature | Type of print: Woodcut print |
| Notes | Limited edition: 100(Signed by the artist) / Year of publication: 2022 / Supervision: The Adachi Foundation for the Preservation of Woodcut Printing, GALLERY TARGET / Production: The Adachi Institute of Woodcut Prints |
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Adachi's Philosophy and Mission
At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques.
Adachi's Meticulous Quality and Materials
At Adachi Institute of Woodcut Prints, we use carefully selected materials and tools to bring out the original beauty of woodcut prints to the fullest.
Traditional Techniques and Adachi's Artisans
The production of ukiyo-e, which developed as a commercial printing method, focused on efficiency and profitability. And so, all processes are streamlined and sophisticated. We will introduce the basics of ukiyo-e techniques.
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