Beauty under Wisteria

Beauty under Wisteria

. Beauty under Wisteria

Kiyonaga was appointed as the fourth leader of the Torii School, which monopolized commissions for ebanzuke (illustrated program notes) and kanban (theatrical posters) for kabuki theaters. After being a pupil of the third leader Kiyomitsu, he expanded his repertoire to include "beautiful-woman picture" and later became a leading figure among full-length "beautiful-woman picture" artists.

Price

Sale price¥35,000

Frame & Mat

A: Print only

The print is placed on the paper mat.

 

B: Framed print

The print is framed with the Adachi original ukiyo-e frame (865 × 320 mm).

 

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame (865 × 320 mm).

 
 

Frame & Mat

A: Print only

The print is placed on the paper mat.

 

B: Framed print

The print is framed with the Adachi original ukiyo-e frame (865 × 320 mm).

 

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame (865 × 320 mm).

 
 

Quantity:
Size/WeightPrint Size: 74.5 × 12.8 cm
MaterialPaper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano
FeatureType of print: Woodcut Print
NotesThis product includes:
・An explanation of the work in English and Japanese
・A leaflet to introduce the production process of ukiyo-e print
Ukiyo-e for Gifts

アダチ版画の想い

私たちアダチ版画研究所は、伝統的な木版技術の基本を守りながら、
時代にあった魅力ある作品を創造してまいります。

こだわりの品質・素材

アダチ版画研究所では、木版本来の美しさを最大限に引き出すために、厳選した素材と道具を使用しています。

伝統の技術・職人

商業印刷として発展した浮世絵の制作は、効率や採算性が重視されたことから、すべての工程において無駄がなく洗練されています。浮世絵の技術の基本をご紹介します。