A set of "Six Famous Beauties"
喜多川歌麿「高名美人六家撰 難波屋おきた」アダチ版復刻浮世絵
喜多川歌麿「高名美人六家撰 辰巳路孝」アダチ版復刻浮世絵
喜多川歌麿「高名美人六家撰 高島屋おひさ」アダチ版復刻浮世絵
喜多川歌麿「高名美人六家撰 扇屋花扇(おうぎやはなおうぎ)」アダチ版復刻浮世絵
喜多川歌麿「高名美人六家撰 日の出屋後家」アダチ版復刻浮世絵
喜多川歌麿「高名美人六家撰 富本豊雛」アダチ版復刻浮世絵

A set of "Six Famous Beauties"

Utamaro stayed with the great publisher Tsutaya Juzaburo and made illustrations for kibyoshi and sharebon books. Influenced by Kitao Shigemasa and Torii Kiyonaga, he began to draw full-length portraits in the Tenmei era (1781-89). Later on, during 1790-91, Utamaro established his own style depicting three-quarter portraits of the beauties. His work became very popular because of his vivid new way of reproducing beauties, and his reputation as a master artist was established.

Price

Sale price¥96,000
Sold out

Frame & Mat

A: Print only

The print is placed on the paper mat. The internal window of the top of the mat is cut for the image size.

<For Yourself> <For Gifts>
Print for yourself Print for gift

 

B: Framed print

<Ukiyo-e Reproduction> The print is framed with the Adachi original ukiyo-e frame (400 × 555 mm).
<Contemporary Ukiyo-e> The print is framed.

   

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame.

Print with mat

Frame & Mat

A: Print only

The print is placed on the paper mat. The internal window of the top of the mat is cut for the image size.

<For Yourself> <For Gifts>
Print for yourself Print for gift

 

B: Framed print

<Ukiyo-e Reproduction> The print is framed with the Adachi original ukiyo-e frame (400 × 555 mm).
<Contemporary Ukiyo-e> The print is framed.

   

 

C: Print + matboard

This is a set of a print and a matching matboard. The internal window of a matboard is cut for the image size. The external dimension is fixed for the Adachi original ukiyo-e frame.

Print with mat
Size/WeightPackage dimensions: 21.2cm × 15.5cm × 0.8cm
MaterialPaper: Echizen Kizuki Hosho Washi made by Living National Treasure, Ichibei Iwano
FeatureType of print: Woodcut Print

高名美人とは寛政時代の江戸で有名な美女のことで、本シリーズは歌麿の全盛期の作品であり、代表作の1つに数えられます。当時江戸で名高い美人であった、難波屋おきた・辰巳路考・高島屋おひさ・扇屋花扇・日之出屋後家・富本豊雛の6名を描いています。歌麿は本シリーズにおいて、実際の女性たちの風貌に似せるよりも、歌麿が理想とする女性美を追求したと考えられています。歌麿は、この一枚絵の画面の中で彼の理想とする女性美を生き生きと表現しています。

Adachi's Philosophy and Mission

At Adachi Institute of Woodcut Prints, we create attractive works that are in keeping with the times while maintaining the basics of traditional woodcut printing techniques.

Adachi's Meticulous Quality and Materials

At Adachi Institute of Woodcut Prints, we use carefully selected materials and tools to bring out the original beauty of woodcut prints to the fullest.

Traditional Techniques and Adachi's Artisans

The production of ukiyo-e, which developed as a commercial printing method, focused on efficiency and profitability. And so, all processes are streamlined and sophisticated. We will introduce the basics of ukiyo-e techniques.